cinderella 1997 box office

[15] The film became ABC's most-watched Sunday night program in more than 10 years,[81][82] as well as the most-watched program during the network's two-hour 7:00 pm to 9:00 pm time slot in 1314 years,[9][15][78][83] a record it broke within its first hour of airing. "[25] Tesema credits its ethnic diversity with making the film as "enchanting" as it is, continuing that the production "invites you to accept these [characters' races] as just the way they are for a little over an hour and it's a beautiful phenomenon". [79] Cinderella's producers immediately began researching other musical projects to adapt for the Wonderful World of Disney, with the network originally hoping to produce at least one similar television special per year,[79] announcing that songwriter Stephen Schwartz had already begun writing a musical adaptation of Pinocchio. In 2014, actress Keke Palmer was cast as Cinderella on Broadway, becoming the first Black actress to play the role on Broadway. Ginsburg. 4. "[34] Fans have affectionately nicknamed the film "the Brandy Cinderella". [16] The singer eventually aged to the point at which she no longer felt suitable for the role of Cinderella. Rodgers & Hammerstein's Cinderella: Musical: Video: $0 : November 7: Cold Around the Heart . [5] Auditions were held in both Los Angeles and New York. [2] Houston remained heavily involved in the film's production aspects, despite being relegated to a supporting acting role, retaining final approval over all creative decisions, particularly its multiracial cast. [96][97], Playbill's Rebecca Paller reviewed the New York screening as "overflowing with star performances, lavish sets" and "lush rainbow-hued costumes", describing its score as "fresher than ever. Seeing a princess with box braids like mine and a fairy godmother like Whitney gave me and girls who looked like me a glimpse at an early age of why it is necessary to demand representation of all types of people playing all types of roles in films. [27] Principal photography began on June 23, 1997 and was completed over a 28-day period,[13][17][60][61] primarily on stages 22 and 26 at Sony Picture Studios in Culver City, California,[35] which had been the location of MGM Studios during what is now revered as "the golden age of the movie musical. [20] The film was co-produced by Walt Disney Telefilms, Storyline Entertainment and Houston's own production company BrownHouse Productions,[12] becoming the latter's first project and Houston's executive producing debut. [12] Meron believes that the organization was so open due to Houston's involvement, explaining, "Whitney was so huge at that time; to a lot of executives she was popular entertainment as opposed to being defined by her race. Although mistreated by her cruel stepmother and stepsisters, Cinderella is able to attend the royal ball through the help of a fairy godmother. "Cinderella's glass slippers are far too big for Brandy to fill," wrote the . [55], Rodgers & Hammerstein's Cinderella was the first of the three versions of the musical to be shot on film. "[4], Casting the prince was significantly more time consuming, with Chase likening the process to searching for the owner of Cinderella's glass slipper. And once you learn that, you don't unlearn it", representing its theme that nothing is impossible. After revisiting the 1997 Cinderella on Disney+, . [55] Although its original melody is retained, the music producers adapted the waltz into a "frenetic Latin-tinged number in duple meter" more suitable for the conniving character. [70] However, the actress insisted that the film's queen should wear real jewelry instead and personally contacted jeweler Harry Winston to lend the production millions of dollars worth of jewels,[36] which ultimately included a 70-carat diamond ring and a necklace worth $9 million and $2.5 million, respectively. [5] The final actor to audition for the film,[36] Paolo Montalban was ultimately cast as Prince Christopher in his film debut;[23] Montalban had been an understudy in Rodgers and Hammerstein's musical The King and I at the time. Rodgers & Hammerstein's Cinderella is a 1997 American musical telefilm produced by Walt Disney Television. "[36] Due to the well-known cast, tabloid newspapers often fabricated stories of the cast engaging in physical altercations, particularly among Brandy, Houston and Goldberg, all of which were proven false. [36], Rodgers & Hammerstein's Cinderella was heavily promoted as the centerpiece of the newly revived Wonderful World of Disney;[37][64][72] Disney themselves have referred to Cinderella as the "grande dame" of the anthology,[73] while Jefferson Graham of the Chicago Sun-Times touted the film the "crown jewel" of the revival. [37] "The Sweetest Sounds", a duet Rodgers wrote himself following Hammerstein's death for the musical No Strings (1962), was used to explore the lead couple's initial thoughts and early relationship upon meeting each other in the town square,[20] performing separately until they are united. [71], The film's sets were designed by Randy Ser,[12] while art direction was headed by Ed Rubin, who opted to combine a "bright and bold" color palette with "a great deal of subtlety". Cinderella currently has a score of 97% on Rotten Tomatoes. [16] Houston arrived at the reading several hours late, by which time some of the actors had grown frustrated and weary. [104] In addition to receiving praise for its overall craftsmanship and musical format, critics appreciated the film's color-blind cast. Rodgers & Hammerstein's Cinderella. By the time the film was greenlit by Disney for ABC, Houston felt that she had outgrown the title role, which she offered to Brandy instead. This became the highest-selling home video release of any made-for-television film at that time,[81][82] selling one million copies its first week. [37] The main characters were dressed in costumes that complemented their roles and personalities, the stepfamily's "loud" dresses in contrast to Cinderella's warmer, more neutral tones. "[52] Despite the fact that Hammerstein's will states that altering his work is prohibited,[56] James believes his father would have appreciated Ebb's contribution since the songwriter had been known to enjoy collaborating with new lyricists. "[37] Attempting to eliminate the element that Cinderella is simply waiting to be rescued by the prince, Freedman explained, "I'm not saying that it's the most feminist movie you'll ever see, but it is compared the other versions. [47] Meanwhile, the royal family wears different shades of purple, a color often associated with royalty. [16] In a conscious decision to update the fairy tale for a modern generation, Freedman sought to deconstruct the messages young girls and boys were subjected to in previous versions of the fairy tale, explaining, "We didn't want the message to be 'just wait to be rescued",[38] and thus altered the story to "reflect current ideas about what we should be teaching children. [118][119] Rodgers & Hammerstein's Cinderella was nominated for three NAACP Image Awards, including Outstanding Television Movie, Mini-Series or Dramatic Special,[citation needed] while both Brandy and Goldberg were nominated for an NAACP Image Award for Outstanding Lead Actress in a Television Movie or Mini-Series. "[39] Freedman identified Houston's eventual re-casting as the Fairy Godmother as a moment that instigated "the next round of rewriting",[16] adapting her version of the character into a "worldly-wise older sister" to Cinderella, as opposed to the "regal maternal figure" that had been depicted prior. [25] The Los Angeles Times critic Howard Rosenberg wrote that the prince's inability to recognize that some of the women trying on the glass slipper in his search for Cinderella are white as part of "what makes this "Cinderella" at once a rainbow and color-blind, a fat social message squeezed into a dainty, glass slipper of a fable. . [8] In 2007, theatre historian John Kenrick dismissed the film as "a desecration of Rodgers & Hammerstein's only original TV musical" despite its popularity, advising audiences to only watch the previous versions of the musical. For further information on notice of non-discrimination, the OCR office for North Carolina is located at: Washington DC (Metro), Office for Civil Rights, U.S. Department of Education, 400 Maryland Avenue, SW, Washington, D.C. 20202-1475; Telephone Number: (202) 453-6020; e-mail: OCR.DC@ed.gov. [66] Highlighting the performances of Montalbn, Peters and Houston, Entertainment Weekly ranked Rodgers & Hammerstein's Cinderella the fourth greatest adaptation of the fairy tale, ahead of both the 1965 (10th) and 1957 (sixth) versions, with author Mary Sollosi calling it one of "the 11 best-known film adaptations of the tale". [49] Praising its sets, costumes, choreography and script, Paller concluded "everything about the TV play worked", predicting that both young and adult audiences will find the program memorable. With Brandy Norwood, Bernadette Peters, Veanne Cox, Natalie Desselle Reid. [92], Shortly after the film's premiere, audiences soon began demanding a swift home video release, which the studio soon began bringing to fruition. [22] Mary and James often visited,[35] as well as Chapin. Cinderella opera rossini hairy redhead pussy close up sinden light gun setup launchbox. The Cinderella: Sarah Michelle Gellar The Gist: A critical and box office bomb, this computer-animated film feels a bit like a warmed-over Shrek, combining the Cinderella story with elements from the Brothers Grimm and Hans Christian Andersen.Cinderella must escape from Fairy Tale Land after her power-hungry stepmother (Sigourney Weaver, 71) tips the scales of . [40] Despite being more similar to the original musical than the 1965 remake in style and structure, the script's "values and tone" have been updated. [25] Furthermore, the writer opined that future live-action remakes should watch Cinderella for reference. The special will reunite some of the original members of its heavy-hitting cast, including Brandy, Whoopi Goldberg, Paolo Montalban, Victor Garber, Bernadette Peters, Jason Alexander and Veanne Cox. Office Lighting . [35][72] Rodgers & Hammerstein's Cinderella was a major ratings success, breaking several television records much like the original did. [45] A public screening of the film was hosted at the Sony Lincoln Square Theatre in New York on October 27, 1997. Genres Adventure Drama Family Fantasy Romance. 'Cinderella' becomes the servant of the house. "[65] However, the film's budget is one of the lowest among the contemporary Cinderella adaptations. [12] During a scheduled visit in July, approximately midway through the filming process, Mary and James previewed early footage of the film and met the cast. [85] Additionally, the popularity of Cinderella boosted the ratings of ABC's television film Before Women Had Wings, which premiered immediately following the program and consequently earned a rating of 19,[78] retaining much of its viewership from Cinderella's broadcast. [69] Mandy Len Catron, author of How to Fall in Love with Anyone: A Memoir in Essays, believes that the film remains "The only truly diverse version of the fairy tale" as of 2017. [74] The same newspaper reported that Cinderella was one of 16 upcoming television films commissioned for the series. [37] Rodgers & Hammerstein's Cinderella premiered on October 13, 1997 at Mann's Chinese Theatre,[75] which Houston attended with her husband and daughter. [34] Having grown up watching Caucasian actresses portray Cinderella, Houston felt that 1997 was "a good time" to cast a woman of color as the titular character, claiming the choice to use a multi-cultural cast "was a joint decision" among the producers,[35] who agreed that every "generation [should] have their own 'Cinderella'. [36][70] The Brooklyn Paper estimates that Goldberg wore approximately $60 million worth of jewelry for the film. With its enchanting story, iconic animation, unforgettable characters and plenty of Bibbidi-Bobbidi-Boo. Cinderella (Signature Edition) (10,859) 7.3 1 h 14 min 1950 X-Ray G. Beloved by generations of fans, Disney's timeless classic Cinderella is now part of the Walt Disney Signature Collection and the prestigious National Film Registry. [47] Den of Geek ranked the film the second best "Cinderella" adaptation, describing it as "the first time the story truly felt magical" and writing "Almost twenty-five years later, this adaptation still feels like the television event it was when it premiered. [53] Despite praising Houston, Montalban, Alexander and Peters, People's Terry Kelleher found Brandy's vocals inferior to Houston's and "lack[ing] the vocal command and emotive power to" support the film's ballads. [21] Hoping to relaunch the series using "a big event", Disney CEO Michael Eisner approached Zadan and Meron about potential television projects; the producers suggested Houston's Cinderella, which Eisner green-lit immediately. ''[20] James also believes Hammerstein would have approved of the color-blind casting, claiming he would have asked why the process took as long as it did. Back at their own home, Cinderella wishes to attend the ball herself, but her stepmother ridicules the idea, advising her that a prince would never be interested in her and to remain grateful for her current life. I love the fact that millions of children are going to hear her sing 'I can be whatever I want to be.' [102] Despite calling the supporting cast "unusually strong", the critic felt Brandy and Houston acted too much like their own selves for their performances to be considered truly compelling. [42][52] She advises her own daughters about love and relationships,[52] warning them not to confuse love with marriage. [148] Ashley Lee of the Los Angeles Times declared Cinderella "the best example of colorblind casting of a screen musical to date" which "offers a useful template for potential successors", concluding, "the creatives behind Hollywood's current movie-musical boom could learn a thing or two from its clever spin on a classic text. [19][31] Montan, who oversees most of the music for Disney's animated films, had been interested in crossing over into live-action for several years and identified Cinderella as one of the first opportunities in which he was allowed to do so. [16] Mary Rodgers and James Hammerstein, relatives of the original composers, also approved this casting decision, with Mary maintaining that the production remains "true to the original" despite contemporary modifications to its cast and score,[35] and James describing the film as "a total scrambled gene pool" and "one of the nicest fantasies one can imagine. [95] On February 4, 2021, Brandy announced on The View that the film would be released on Disney+ on February 12, 2021. Financial analysis of Rodgers & Hammerstein's Cinderella (1997) including budget, domestic and international box office gross, DVD and Blu-ray sales reports, total earnings and profitability. "[17][37] In September 1997, Disney Telefilms president Charles Hirschhorn identified the film as the studio's most costly upcoming project. Based on Charles Perrault 's 1697 fairy tale of the same title, it is the 12th Disney animated feature film. [36] The producers agreed to finance the remainder of the project using their own money, while Goldberg volunteered to donate the rest of her daily salary to completing the production. "[49] According to Paller, the screening resembled a Broadway tryout more than a film preview since the audience reportedly applauded at the end of every song. The decision to use a color-blind casting approach originated among the producers to reflect how society had evolved by the 1990s, with Brandy becoming the first Black actress to portray Cinderella on screen. "[16], Television writer Robert L. Freedman became involved with the project as early as 1993. Rodgers & Hammerstein's Cinderella was nominated for several industry awards, including seven Primetime Emmy Awards, winning one for Outstanding Art Direction for a Variety or Music Program. [101] Similarly, Martha Tesema wrote in an article for Mashable that "seeing Brandy as Cinderella on screen was groundbreaking" having "grown up in a time where future Disney characters like Tiana did not exist and the reason why didn't cross my minduntil this Cinderella. Blue Jasmine (2013)91%. [37] Despite concerns that Hart's "biting" lyrics would sound too abrasive against the rest of the score, James, Hammerstein's son, was very much open to the idea. @@ Cinderlla Movie | Cinderella in HD 1080p, Watch Cinderella in HD, Watch Cinderella Online, Cinderella Full Movie, Watch Cinderella Full Movie Free Online Streaming @@ Martmovie0006 2:40 [16] After relocating their production company, Storyline Entertainment, from CBS to Disney Studios,[18] Zadan and Meron re-introduced the project to Houston. [36] Despite being late for the final day of auditions, Montalban impressed the producers with his singing voice. At the ball, she falls for handsome Prince Christopher (Paolo Montalban . With kindness and respect", which some critics identified as the studio's attempt to make the film more feminist. One Hundred and One Dalmatians (101 Dalmatians) Walt Disney Productions. You can stream Disney's 1950 classic Cinderella (and its two subsequent sequels) on Disney+, while the Whitney Houston -fronted 1997 adaptation and the 1998 Drew Barrymore movie EverAfter are . [17] Although filmmakers are usually hesitant to interpolate songs from other sources into adaptations of Rodgers and Hammerstein's work, Ted Capin, President of the Rodgers & Hammerstein Organization,[10] challenged the producers to conceive "compelling reasons" as to why they should incorporate new material into the remake,[52] allowing the filmmakers significant freedom on the condition that the additions remain consistent with the project. Brand new: Lowest price. People were clearly still thinking, 'Multicultural is one thing, but do we have to have two black leads? Semenjak itu beliau telah terlibat dalam pelbagai filem, melakonkan pelbagai watak. Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Movie News India Movie Spotlight. The film was a huge box-office success and allowed Disney to carry on producing films throughout the 1950s. Cinderella grows dismayed and wishes to leave when the King and Queen ask her about her background, but her Fairy Godmother encourages her to stay. [24] New York entertainment critic John Leonard praised the cast extensively, highlighting the performance of Brandy whom the writer said possesses "the grace to transfigure inchoate youth into adult agency" while complimenting the work of Houston, Montalban, Peters, Goldberg and Alexander, the latter of whom the critic identified as a reminder "that he belonged to musical theater before he ever shacked up with Seinfeld's slackers. The Stork Club . [38], Freedman continuously re-wrote the script between 1993 and 1997, particularly concerned about whether or not Houston would like his teleplay. They save the original sound while updating it. Adapted from Oscar Hammerstein II's book, Freedman modernized the script to appeal to more contemporary audiences by updating its themes, particularly re-writing its main character into a stronger heroine. [37] Meron maintains that these adjustments helped the composition resemble a "Rodgers and Hammerstein song that sounds like a new Whitney Houston record". [67] Cinderella's "glass slippers" were made of shatterproof acrylic as opposed to glass, and only one pair was designed to fit Brandy's feet; the shoe the prince discovers and carries on a pillow in search of its owner was designed to be extremely small in order to give it the appearance of being "incredibly delicate", with Iscove describing it as "too small for any human" foot. In a special 20/20 episode that aired to commemorate the . [37] Prince Christopher's palace was built on the same location as what had been the yellow brick road from the film The Wizard of Oz (1939), thus the palace's courtyard bricks were painted yellow in homage to the classic film. Rodgers & Hammerstein's Cinderella is regarded by contemporary critics as a groundbreaking film due to the unprecedented diversity of its cast and Brandy's role. [16] Houston remained silent for most of the reading, barely engaging with the participants until the end of the table read when she finally declared her approval of the script and eventually sent the actors flowers to apologize for her tardiness. [103], Praising its score and faithfulness to the source material, Eileen Fitzpatrick of Billboard called the film a "sure to please" remake while lauding Brandy's performance, joking that the singer "slips into the Rodgers and Hammerstein Broadway-like score as easily as Cinderella fits into the glass slipper". ", "How Brandy's 'Never Say Never' Invented 'The Vocal Bible', "Keke Palmer will play first black Cinderella on Broadway", "Keke Palmer to be Broadway's first black Cinderella", "Will Cinderella's Keke Palmer Return to Broadway? Solely determined to bolster their own wealth and social status by marrying the prince, Cinderella's stepfamily leaves for the ball, leaving Cinderella home alone. Theater box office or somewhere else [84] AllMusic biographer Steve Huey attributes the film's high ratings to its "star power and integrated cast". Last edited on 28 February 2023, at 17:27, Outstanding Art Direction for a Variety or Music Program, Sweeney Todd: The Demon Barber of Fleet Street, 1950 animated adaptation of the fairy tale, Outstanding Variety, Music or Comedy Special, Outstanding Costume Design for a Variety or Music Program, Outstanding Directing for a Variety or Music Program, Outstanding Hairstyling for a Miniseries, Movie or a Special, Excellence in Production Design Awards Show, Variety, Music, or Non-Fiction Program, Outstanding Television Movie, Mini-Series or Dramatic Special, NAACP Image Award for Outstanding Lead Actress in a Television Movie or Mini-Series, "Rodgers and Hammerstein's Cinderella (1997)", "Rodgers & Hammerstein's Cinderella (1997)", "Whitney Houston And Brandy Star In TV Movie 'Cinderella', "Brandy Norwood, Bernadette Peters & More Look Back on Twenty Years Since Cinderella", "Playbill Critics Circle: Review TV Cinderella", "Finally, Cinderella is going to the ball", "TV's Cinderella Turns In Royal Ratings Performance", "Curtain Call: Ted Chapin Makes Sure Cinderella Has a Ball", "Playbill on Opening Night: Cinderella; The Very Best Foot Forward", "Ring Out The Bells, Sing Out The News: Rodgers & Hammerstein's Cinderella Returns To Television", "It's Possible: 60 Million Viewers Go To The Ball With Cinterella", "It's Possible: An Oral History of 1997's "Cinderella", "Remembering Whitney Houston and the 1997 remake of Rodgers and Hammerstein's Cinderella", "Television; The Slipper Still Fits, Though the Style Is New", "Impossible?

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